Shadows and sculpture at the Uffizi

Heavenly Venus, first half of the 2nd century (head), 1st–2nd century (torso), 16th century (additions)

Berlinde de Bruyckere, Self-Portrait, 2010

Roman replica of Hellenistic original, Colossal Head of a Sea God, 2nd century

Shadow of classical statue (probably Roman copy of the ancient Greek Discobolus by Myron)

Greek, Gaddi Torso, 1st century BCE

Roman, Young Dionysus with a Panther, first half of the 2nd century with late-Renaissance restorations, likely by Giovanni Caccini (1556–1613)

Anne Seymour Damer, Self-Portrait, 1778

Shadow of the Medici Venus, late 19th century plaster cast of classical marble

Venus Victrix or Belvedere Venus, first half of the 2nd century (body), mid-2nd century (head)

Hellenistic, Head of the so-called “Dying Alexander,” late 2nd century BCE

Baroque pearls of Palazzo Pitti

Pendant in the shape of a merman or siren with baroque pearl, enamel, and jewels. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

The Treasury of the Grand Dukes—still sometimes referred to as the Museo degli Argenti, or Silver Museum—in Palazzo Pitti includes the many objets d’art commissioned or purchased by the Medici during their centuries as Florence’s preeminent family.

Pitti’s treasury is home to an incredible diversity of curious, experimental, and finely executed objects. Perhaps the most quintessential examples of this small-scale creativity, however, are found in the Medici’s collection of baroque pearls.

Generally speaking, “baroque pearls” are simply pearls of irregular shape. During the Renaissance, Mannerist, and Baroque periods, such pearls were prized by European jewelers who used them to form the bodies of human, animal, mythological, or grotesque figures.

Information on the Pitti’s collection of pearls was scarce, but most of the pieces were probably made in the late 16th century or 17th century. They may have entered the Medici collection around that time, and seem at least to have been among Anna Maria Luisa de’Medici’s prized possessions in the 18th century.

Neither Josh nor I are certain who took these pictures, so we are both credited in the captions.

Pendant with baroque pearl, jewels, and cloisonné in the shape of a dragon. Photo by Renée DeVoe Mertz/Joshua Albers.

Figurine of Swiss soldier in enameled gold, baroque pearl, and gems, 1680 (info credit: Getty Images). Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Pendant in the shape of a lion with baroque pearl, gems, and gold. Photo by Renée DeVoe Mertz/Joshua Albers.

Jewel-encrusted baroque pearl in the shape of a rooster holding a caduceus from the Collection of Anna Maria de’Medici (1667–1743) in the Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Mermaid or siren pendant, Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Dragon figurine. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Pendant of sea-horse with putti rider. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Figurine of man holding vase of flowers (?). Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Pendant of winged mer-person holding a mirror. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Monkey figurine, Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Rabbit pendant. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Deer pendant. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.

Horse and rider figurine. Treasury of the Grand Dukes, Palazzo Pitti, Florence. Photo by Renée DeVoe Mertz/Joshua Albers.