allegory

Piccolomini Library, Siena

Detail of Pinturicchio’s Departure to the Council of Basel in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Detail of Pinturicchio’s Departure to the Council of Basel in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Between its inlaid marble floors, soaring architecture, striking black and white columns, and densely decorated nave, Siena’s Duomo is an impressive structure by any measure. But perhaps its greatest jewel is the room known as the Piccolomini Library.

Then-Cardinal Francesco Todeschini Piccolomini, archbishop of Siena, commissioned the addition around 1492 in honor of his uncle, Pope Pius II (aka, Aeneas Silvius Piccolomini, 1405–64). Pinturicchio and his workshop frescoed the three windowless walls with ten discrete scenes from the life of Pius II and painted the ceiling in a brilliant clamoring of grotesques, allegorical figures, and mythological vignettes. Cardinal Todeschini Piccolomini also purchased the Roman marble sculpture of three graces (copied after a Hellenistic original) standing at the room’s center.

The library’s original purpose was to house the manuscript and printed book collection assembled by Pius II in Rome. Today, it continues as a museum of 15th century illuminated manuscripts and its own stunning frescoes.

For more information, check out the website for Siena’s Opera della Metropolitana.

Vaulted ceiling of the Piccolomini Library decorated with grotesques. Cardinal Francesco Todeschini Piccolomini, archbishop of Siena, commissioned the library’s construction around 1492; Pinturicchio and his workshop painted the ceiling and the wall…

Vaulted ceiling of the Piccolomini Library decorated with grotesques. Cardinal Francesco Todeschini Piccolomini, archbishop of Siena, commissioned the library’s construction around 1492; Pinturicchio and his workshop painted the ceiling and the walls’ frescoes over a decade later, from 1503–08. Photo by Renée DeVoe Mertz.

Detail of a panel featuring putti and grotesques around a mythological scene, from the ceiling of the Piccolomini Library. Photo by Renée DeVoe Mertz.

Detail of a panel featuring putti and grotesques around a mythological scene, from the ceiling of the Piccolomini Library. Photo by Renée DeVoe Mertz.

Pinturicchio, Departure to the Council of Basel, first of the ten Scenes from the Life of Aeneas Silvius Piccolomini in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Pinturicchio, Departure to the Council of Basel, first of the ten Scenes from the Life of Aeneas Silvius Piccolomini in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Pinturicchio, Scenes from the Life of Aeneas Silvius Piccolomini around the Roman marble sculpture of Three Graces in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Pinturicchio, Scenes from the Life of Aeneas Silvius Piccolomini around the Roman marble sculpture of Three Graces in the Piccolomini Library, Siena. Photo by Renée DeVoe Mertz.

Detail from one of the 15th century illuminated codices on display in the Piccolomini Library. Photo by Renée DeVoe Mertz.

Detail from one of the 15th century illuminated codices on display in the Piccolomini Library. Photo by Renée DeVoe Mertz.

Don’t forget to look down. 19th century floor tiles in the Piccolomini Library made by Ginori porcelain works. Photo by Renée DeVoe Mertz.

Don’t forget to look down. 19th century floor tiles in the Piccolomini Library made by Ginori porcelain works. Photo by Renée DeVoe Mertz.

Parco Mediceo di Pratolino, Vaglia

Giambologna’s Colosso dell’Appennino (1579–80) overlooking a pond in the Pratolino, a former Medici garden also known as Parco di Villa Demidoff. The giant was originally surrounded by an artificial recess, appearing to live in a mountain cave. It w…

Giambologna’s Colosso dell’Appennino (1579–80) overlooking a pond in the Pratolino, a former Medici garden also known as Parco di Villa Demidoff. The giant was originally surrounded by an artificial recess, appearing to live in a mountain cave. It was part of a greater arrangement of grottoes, fountains, sculptures, and automatons, most of which are gone today. Photo by Renée DeVoe Mertz.

An inhabitant of the giant’s pond. Photo by Renée DeVoe Mertz/Joshua Albers.

An inhabitant of the giant’s pond. Photo by Renée DeVoe Mertz/Joshua Albers.

Behind the giant: a dragon and two (now closed) grottoes. Photo by Renée DeVoe Mertz.

Behind the giant: a dragon and two (now closed) grottoes. Photo by Renée DeVoe Mertz.

Statue of Diana, Pratolino. Photo by Renée DeVoe Mertz.

Statue of Diana, Pratolino. Photo by Renée DeVoe Mertz.

Lizard of the Pratolino. Photo by Renée DeVoe Mertz.

Lizard of the Pratolino. Photo by Renée DeVoe Mertz.

Peschiera della Maschera (Fountain of the Masks) in the Pratolino. Photo by Renée DeVoe Mertz.

Peschiera della Maschera (Fountain of the Masks) in the Pratolino. Photo by Renée DeVoe Mertz.

Another frog living beneath the giant. Photo by Renée DeVoe Mertz/Joshua Albers.

Another frog living beneath the giant. Photo by Renée DeVoe Mertz/Joshua Albers.

The giant gets two pictures, because look at him. Photo by Renée DeVoe Mertz.

The giant gets two pictures, because look at him. Photo by Renée DeVoe Mertz.